For Jackie Kallen, the glass ceiling is over a boxing ring. As played
by Meg Ryan in "Against the Ropes," Jackie is a woman looking
to make a name for herself in the male-dominated world of professional
boxing.
The story obviously echoes "Erin Brockovich," another relatively
recent female-empowerment saga with better performances and a more substantive
script. And, in both cases, a popular actress tries to stretch her persona
into a rough, tough, blue-collar world, laced with testosterone.
But while Julia Roberts and her writers stayed fairly loyal to Brockovich's
real-life adventures in advocacy law, "Against the Ropes" seems
pure fancy. Maybe that's why the screen credits say "inspired by"
instead of based on the life of boxing promoter Jackie Kallen.
The real Kallen was a sports journalist who began a PR firm and represented
boxer Thomas Hearns. In logical succession, she became his manager, admittedly
tackling a male-dominated sport. The story here has been downgraded to
a lightweight distaff
"Rocky" of a made-for-TV quality.
As it opens, Kallen is the unappreciated, 36-year-old secretary for the
manager of a sports arena in Cleveland. She wants more responsibility;
he wants his coffee with cream.
Kallen gets sassy with a big-time fight promoter after one of his boxers
is pummeled in the ring. He's Sam LaRocca, a slimy boxing kingpin, wonderfully
played by the always-resourceful Tony Shalhoub. LaRocca says if you think
you can do better with the boxer, you can have his contract for a buck.
She takes him up on the deal.
Though the fighter is a bust, he leads Kallen to a better, but still
unknown boxer (a scrappy Omar Epps), who becomes Kallen's ticket to feminist
breakthrough.
Of course, the film comes down to a big make-it-or-break-it fight, but
it's uncomfortable watching how director Charles S. Dutton maneuvers the
sequence so it looks like Kallen wins the fight from outside the ropes,
even though it's Epps taking the punches.
Ryan brings the sex appeal and spunk you'd expect to the role. But, like
the movie, she never successfully delves below the surface.
"Against the Ropes" offers some entertaining punches, but ultimately
goes down on a split decision.