| ||||||||
Movies Home/Search
Movie Times
Dec
22, 10:56 AM
Nearly
three hours later, I still don't understand Howard Hughes any better than
when I sat down to watch "The Aviator."
Oh, the film is visually astounding and all. Martin Scorsese's latest
extravaganza is truly a sight to behold, constantly dazzling and frequently
thrilling. Every detail is perfect -- as you'd imagine from a director
who's as famous for perfectionism as the eccentric billionaire Hughes
-- from the Art Deco accents on the stairway railings in Hughes' office
to the red lipstick Gwen Stefani wears during a brief appearance as Jean
Harlow.
Strong performances abound, from star Leonardo DiCaprio to Cate Blanchett
as Hughes' legendary love, Katharine Hepburn, to Alan Alda as a scheming
senator.
See it for the plane crash alone -- a wondrously thunderous spectacle
in which the stubborn Hughes refuses to land his newest aircraft during
a test run, and plows it into the top of a Beverly Hills mansion.
That's actually a great word to describe the whole film: It's a spectacle.
Maybe Scorsese and screenwriter John Logan ("Gladiator," "The
Last Samurai") were doomed from the start in trying to tell the story
of someone so notoriously mysterious, yet at the same time larger than
life.
We know the eccentric billionaire had a germ phobia so intense he carried
disinfectant soap in his pocket wherever he went, and that a speck of
lint on a business associate's lapel would render him incapable of completing
a sentence. But why?
We know the young Texan sunk thefamily drill-bit fortune he inherited
into airplanes and movies -- and sometimes, as in the 1930 film he produced,
"Hell's Angels," he threw millions at movies about airplanes.
But why?
By recreating some of the key moments of Hughes' life -- including buying
TWA, setting new speed records, competing with Pan Am chief Juan Trippe
(a convincingly conniving Alec Baldwin) and dating glamorous starlets
-- but providing little insight, "The Aviator" feels like a
lavish, handsome game of dress-up.
Costume designer Sandy Powell outfits everyone flawlessly (Kate Beckinsale
looks jaw-droppingly beautiful as Ava Gardner).
As for the names you're more familiar with, Blanchett is a complete joy
to watch as Hepburn: She's not doing a dead-on impression, and she shouldn't
be, but she definitely embodies the actress' spirit.
Then there is DiCaprio.
The theory exists that he looks too young to play Hughes. I have no problem
with that; his charisma and energy, which made him so similarly irresistible
last year in "Catch Me If You Can," help him overcome his innate
boyishness. And once Hughes descends into madness and hides inside his
screening room -- naked, unshaven, muttering to himself and urinating
into empty milk bottles. |
| |||||||
Use of this site signifies your agreement to the Terms of Service (updated December 2002). | ||||||||